Introduction to Documentary, Second Edition

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I will not be teaching you any production skills in this class, though the Digital Media Lab can offer you some limited assistance. Just as I expect you to come to the final paper with writing and research skills you have learned elsewhere, the creative option relies on skills that you have acquired outside this class. The option is meant to give you more choices in the way you express what you have learned and your original thinking.

Introduction to Documentary, Second Edition

Toward this end, those who submit creative projects will also submit a short paper discussing the aims and aesthetic choices in the project, rooted in the course readings and discussion. Late Assignments: You are expected to hand in all assignments in class the day they are due.

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If there is any reason you will be unable to do so, it is your responsibility to make arrangements with me before the paper is due. I expect you to include the pledge on all assignments for this class, unless otherwise noted. All infringements will be reported and pursued to the full extent of the Code. If you expect to have absences due to University-sponsored events, it is your responsibility to alert me of these absences during the first week of class and to notify me of each University-sponsored absence before it takes place.

Students with Special Needs: Students with special needs should meet with me during the first two weeks of the semester to speak with me so that I can arrange appropriate accommodations. Contacting me: I am happy to answer any questions about the course, requirements, readings, or individual work after class, in my office hours, or by appointment.

My office is Levering.

Introduction to Documentary, Second Edition

In general, email is the best way to get in touch with me; I usually am able to return emails within 48 hours. However, major concerns are often better addressed in office hours.

2nd Edition

I am available during my posted office hours and by appointment. Please do not hesitate to contact me. I will post course announcements, assignments, and related materials on Collab. Schedule of Classes. Jon Prosser New York: Routledge : Week 3 Origins of Documentary: Photography and Anthropology.

Syllabus for CINE

Minh-ha, Selected clips from Hiroshima mon amour , Alain Resnais, Selected clips from Meat , Frederick Wiseman, Selected clips from Model , Frederick Wiseman, Select video clips from The Shoah Foundation. Selected clips from Kaddish , Steve Brand, Selected clips from Shtetl, Marian Marzynski, Selected clips from Inheritance , James Moll, No class — Spring Break.

Session 11 April 6th Personal. Selected clips from The Bridge , Eric Steel, Selected clips from Grizzly Man , Werner Herzog, Click here for article. A Movie , Bruce Conner, Mongoloid , Bruce Conner, Selected clips from Tribulation 99 , Craig Baldwin, Selected clips from Human Remains , Jay Rosenblatt, Selected clips from The Diary of Mr. Available via Project Muse. Selected clips from Mr.